May 14, 2021


The 14th May is a solemn day of remembrance for my people, amaMfengu, when our tribes were scattered from the banks of Thukela (Tugela) River on the foothills of Ukhahlamba (Drakensberg) Mountains to be beggars all over the Southern Africa. Ironically I've just finished writing, for BKO literary magazine, a long review of Sol Plaatje's historical novel, Mhudi, which narrates the story of how amaNdebele were scattered to present day Zimbabwe by the same Mfecane wars that dispersed my people to the Eastern Cape. AmaNdebele were able to maintain their tribehood with a new capital in Bulawayo. We were never able to recover in real sense of nationhood since we were emaciated by the time we reached the Eastern Cape, Lesotho, Swaziland, etc. Most of us became vassals of amaXhosa in the Eastern Cape until in the arrival of white settlers when in it we saw opportunity of freeing and developing ourselves.

Every year amaMfengu recall their loss into becoming the Jews of Africa on the 14th May. Most interesting to me is how people who lose their land anchour find the best way to recover their identity and maintain it by turning to the book. Because, in Southern Africa, amaMfengu were the first to take into Western education seriously, and made a connection with it as a gift no one can ever deprive you of. Growing up, in our households, the notion of education was not just associated with socioeconomic development, but with gaining a sense of self development and advancement of your own self consciousness. Hence, when amaXhosa as a nation were almost vanquished by Nongqawuse's suicidal tendencies (amaMfengu did not participate) amaMfengu emerged as the last hope for the emancipation of black people, through the pen, in the Eastern Cape. They bought and owned land, which they successfully farmed, and therefore could politically participate and vote in the Cape Colony (you only needed tenure to vote in the Cape Colony then, though it still ended up racial—because most black people had no tenure—political participating was not racist but classist, more like in ancient Rome) where some of them, like Jabavu almost became members of parliament until the formation of the Union and the 1913 Native Land Act took those privileges away from them and all black people.

Many who didn't care to work in the diamond fields of Kimberly, or mines of the Witwatersrand, became wagon drivers, hotel porters and labarours in the docks of Port Elizabeth, East London, Cape Town and Durban. Those who chose school then took to the pen, some becoming teachers, reverends and newspaper reporters and editors to fight a new political order with the pen they saw as being mightier than the sword.  Even then most of the so called black newspapers were owned and sponsored by liberals and their White Monopoly Capital from mostly Britain. Jabavu’s paper for instance was once even sponsored by Cecil John Rhodes who bought space on other papers also to promote political propaganda, especially against the Nats. Black people were then used to bolster political opinions against the Afrikaner nationalism by the British inclined. To organise themselves, on the socioeconomic front, educated blacks and their aristocratic chiefs formed what became known as the, IMBUMBA (South African National Native Congress), which took its seed from the Christian inclined seeds that were based on prophet Ntsikana's teaching of black nationalist acculturated Christianity. It eventually became more political after the land losses of the Native Land Act and was eventually known as the African National Congress (ANC). The rest, as they say, is history.

Anyway, a solemn and most prosperous celebration of the Day of Remembrance to all amaMfengu out there, and the nations, like amaXhosa, who took us in and integrated us at the hour of our greatest need. In these parched times you can't say we didn't teach you any thing since we brought you not just iron smith skills we acquired eMbo through Arabic and Western culture all g the way, but we taught you also how to brew umqombothi properly. Hence your saying: Utywala beMfengu abupheli ekoyini. [A Mfengu's keg never dries.]

Available for sale from David Krut Projects, Cedric Nunn, The burial place of Ntsikana, Kat River (2012-2014), Gelatin Silver Print, 16 × 20 in

Allow us to quietly murmur in sadness, just for the day, our traditional song made famous by the likes of Miriam Makheba:

Andisoze ndiye kwaZulu kwafel' umama notata…

Abasifuni kwaZulu,

Abasifuni kwaGcaleka,

Absifuni kwaNgqika...

Ngu mkhonto kaTshaka

Owachith' umuzi kabawo

Wabinz' intliziyo kaBawo omkhulu

Umkhonto kaMzilikazi…

[I'll never go to Zululand, it is where died my parents…

They don't want us in Zululand,

Or in Gcalekaland,

Nor in Ngqika’s land,

The spear of Tshaka

Is what destroyed my father's house

Pierced my grandfather's heart

The spear of Mzilikazi did that...]

But today, I prefer not to mourn but to celebrate by dancing to Ntsikana's Bell as rendered with modern trickets by yet one of our own, Mthwakazi:

uLoThixo omkhulu
MTHWAKAZI offers Xhopera - a rare and thrilling style of musical expression that channels ancestral and classical sounds linking them to those of the present and future. MTHWAKAZI’s electrifying performances evoke images akin to visions; this dreamtime music recalls the power of shamanistic healing…